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<oembed><version>1.0</version><provider_name>Davide Dall'Osso</provider_name><provider_url>https://www.davidedallosso.it/en/</provider_url><title>Sculpture in movement - Davide Dall'Osso</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content" data-secret="5mHUoKbfLq"&gt;&lt;a href="https://www.davidedallosso.it/en/portfolio/sculpture-in-movement/"&gt;Sculpture in movement&lt;/a&gt;&lt;/blockquote&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://www.davidedallosso.it/en/portfolio/sculpture-in-movement/embed/#?secret=5mHUoKbfLq" width="600" height="338" title="&#x201C;Sculpture in movement&#x201D; &#x2014; Davide Dall'Osso" data-secret="5mHUoKbfLq" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;&lt;script&gt;
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</html><thumbnail_url>https://www.davidedallosso.it/wp-content/uploads/2023/05/abito-scultura-francesca-lettieri-ortigia-davide-dall-osso-02.jpg</thumbnail_url><thumbnail_width>1200</thumbnail_width><thumbnail_height>764</thumbnail_height><description>[vc_row thb_divider_position=&#x201D;bottom&#x201D; css=&#x201D;.vc_custom_1610033500067{padding-top: 50px !important;padding-bottom: 50px !important;}&#x201D;][vc_column width=&#x201D;1/6&#x2033;][/vc_column][vc_column width=&#x201D;2/3&#x2033;][vc_column_text]The word &#x201C;contamination&#x201D; forced its way into my vocabulary during my years attending Paolo Grassi. As students, we had to be able to modify the theatrical language we were taught to continually readapt it to fit the current theatrical situation we were facing. The constant exchanges with&hellip;</description></oembed>
